OM SYSTEM OLYMPUS M.Zuiko Digital ED 60mm F2.8 Macro For Micro Four Thirds System Camera, Weather Sealed Design, Focus Limit Switch Bright
60mm macro Micro Four Thirds lens.
Weatherproof Macro lens withstands harsh conditions
7.4 inch minimum working distance, Focal Length – 60 mm
1x 35mm equivalent maximum magnification
13 separate lens elements in 10 groups assures faithful reproduction of finest details
Focus limit switch speeds up auto focus, Built-in working distance window for subject distance confirmation
$399.99 $549.99
Price: $549.99 - $399.99
(as of Jul 14, 2024 18:53:48 UTC – Details)
Customers say
Customers like the size, weight, value, and image quality of the camera lenses. For example, they mention it’s a compact, light, and amazingly sharp lens that’s easy to carry. They appreciate the build quality, saying it’ll protect the lens from weather. Customers also like the versatility, ease of use, and focal length. However, opinions are mixed on focus.
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Based on 7 reviews
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Our Mission
At Artix, our mission is to deliver high quality, reliable products featuring the latest technology in the audio space, held to a higher standard than our competitors. Our experts have studied professional sound reproduction and applied this knowledge for use in all aspects of your life. We designed each item with the needs of our closest friends and family in mind.
Headphones with up to 20% OFF
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We asked ourselves this one very important question: Why does quality always seem to mean paying higher prices? We decided to work with our audio and electronic professionals to find out if we could offer higher quality than our competitors, but make our products affordable for all
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Our headphones are all designed with your daily needs and convenience in mind. They are all easy to use, offer durability to last, and are both stylish to match your unique personalities and easily portable to go wherever you go.
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Our Products Are Top Quality
Our head phones are all built with the best materials, all chosen by our professional audio engineers to deliver the best possible sound reproduction. We ensure youโll feel like youโre right in the middle of a live show when listening through Artix over headphones.
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Stoney –
> Comparision with Leica – Lumix Macro; especially use on Lumix cameras
PRICE, QUALITY, AND PERFORMANCE> PRICE: about$ 500 for the Zuiko vs $1000 for the Leica.> QUALITY: The fit and finish of both lenses in very good, maybe a little higher for the Leica. The Leica is “prettier”, but on the camera the Zuiko is more impressively “techy”.>> A number of reviewers report manufacturing flaws in the Zuiko. Quite a few Leica purchasers (including myself) report that the autofocus system fails and the first Lumix 14-42mm PZ lens I received had a heavy haze on internal lens elements. I suggest purchasing only from Amazon, because return postage is free on defective items, and they will ship a new item even before you return the defective one.> PERFORMANCE: Professional reviews based on exhaustive tests rate the Zuiko as sharp or sharper than the Leica.LENSHOODS> The optional Zuiko lenshood is exceptional–the best lenshood I’ve ever used. When you want to use it, you just slide it forward. When you want to stow the lens, you just slide the lenshood back, where it protects the lens.> The supplied Leica lenshood is totally inadequate, and as far as I can tell, there are no suitable lenshoods available which are specifically sold for this lens.SIZE AND SHAPE–(and in-camera flash)> The Zuiko does not get in the way of the in-camera flash (albeit you may have to retract the lenshood at the highest magnifications). Like all Panasonic Lumix/Lieca lenses, the Lieca is unnecessarily fat, as fat as a comparable 35mm film lens. It is so fat that it gets in the way of the in-camera flash (of my Lumix GX7).> The Zuiko is tall and skinny, and will probably rattle around in a compartment by itself. The Leica is short, and easy to store in a gadget bag, e.g., it can be stacked in a compartment with another short lens.FOCAL LENGTH AND WORKING DISTANCE> The Zuiko is 60mm (=120mm 35mm equivalent). The Leica has a focal length of 45mm (=90mm 35mm equivalent). So, the Zuiko is 1 1/2 times “longer” focal length, which basically means that your subject is 1 1/2 times farther away.–> The greater working distance is a benefit for true macrophotography; but often a hindrance for larger subjects. With the Zuiko a 12″ high subject is ~6′ away; with the the Leica is ~4′ away–> When working with the Zuiko, when I want to photograph a cluster of flowers (say 12″ in diameter), I often find myself wishing for a shorter focal length lens–indeed, I usually switch to my Lumix 14-42mm PZ. Other effects of the longer focal length of the Zuiko are:–> Increases the effect of shake–so tripods, flashes, etc. are more necessary with the Zuiko.–> Photographing objects larger than about 12″ tall, the greater distance requires a more powerful flash, and it is harder to position the flash at 45 degrees to the subject (which is ideal for most subjects).–> You can waste a lot of time switching to a shorter focal length lens, and back to the Zuiko macro, etc.–> In a pinch, the Leica can be used as a copystand lens, say to copy a page from a book; practically speaking the Zuiko cannot.–> The relatively short working distance of the Leica means that arranging lighting at the best angle may often be impossible at high magnifications (say for subjects less than 1″ tall) because the lens body is in the way. Indeed it is often difficult to properly light some subjects, say 1/2″ tall, even with the Zuiko.> Neither lens is suitable for high magnification work (meaning magnification greater than 1:1 with bellows or extension tubes), because of their long focal lengths and therefore the large amount of extension needed to achieve greater magnifications. For example theรย
Stoney –
James P. Garin –
Sharp, very quick to focus and works well on a Panasonic GX1
I happen to own the Panasonic Leica designed 45mm macro, and just spent a day doing comparison testing. These are very different lens, both in size and function.Here are the basic differences:Panasonic 45mm:1. Has reduced focus and full focus, nothing else.2. Is very short3. In macro mode, unlike every other lense I have used, this one stays very bright. This is good for focus, but bad for flash control, as even the built in flash will over expose images (cannot turn down enough). Between this lense and the Oly, there is more than an f stop difference in clos macro, while the same for normal distances.Note: You can test this by setting the camera to manual, using the same setting in the same lighting and shooting the same object. At normal distances, they are the same, but in close macro, the oly images, with the same magnification, are darker.Olympus 60mm:1. Has an extra setting that will limit the focus from .19 to .4 meters, if all you are doing is macro. Reduces focus time, saves battery and greatly reduces hunting.2. Like every other macro lense, this one has a higher f stop than it shows when you get really close. As it so happens, the extra working distance and this mean the automatic strobe work great all the way to 1 to 1.3. This is a light, very long lens.Image quality seems great with both lens, but at the same magnification you get better working distance (good), less light light to the camera (bad), great auto strobe control (good) and reduced depth of field at the same f stop (might be good or bad).As both oly and pany use contrast detection, how you have the camera set to focus and how much contrast the target has are important. More so with the oly when in macro mode, because less light is getting thru. I tried spot focus, and at one to one, in normal room light, the camera would not focus at all. Switch to a single spot, and I just had to be careful where the camera was pointed at. Use all the focus spots, and it worked very well. As different micro 4/3rd camera’s have different options, these results may vary.I like the lens, used correctly I find it fast, accurate and fun to shoot with. Not shot test images at really high f stops, but will in the next week.
James P. Garin –
user name –
This review is for: Olympus M. Zuiko 60mm F/2.8 LensThis is a great lens. Handling is weird.I have both this lens as well as the Panasonic 30mm macro lens. Optically, they are both absolute jewels. The 30mm get the nod from me for copy work where the shorter working distance doesn’t matter but (slightly) sharper corners matter. For nature and non-flat objects, the 60mm gives more room for lighting and is blisteringly sharp.I wish the 60mm handled like the 30mm (simple) but it doesn’t. This is where it gets weird. It has a focus limiter switch (pictured) with 3 ranges. Beyond those, the limit switch is spring loaded. It took me awhile to figure out what it was doing: It takes the lens to 1:1. Okay, ‘weird’ all of a sudden becomes ‘genius’! lolOptically, the lens is superb, sharp already at f/2.8.For single-image capture of skittish objects, the greater working distance wins out over the 30mm macro lens.Combined with pixel shifting and the m4/3 sensor, I can obtain crisp images of small objects.With focus stacking, the results are equally satisfactory for small objects (although I still rely on bigger format cameras for larger subjects).This lens and micro four thirds are meant for macro photography.Great lens. Worth considering. Recommended without — okay, maybe with one! — reservation!
user name –
Amazon Customer –
Amazon Customer –
John –
Great macro lens if that is your only criteria for it. My only complaint when used on a Lumix G9 camera was a softness on distant landscapes. A tripod and remote shutter release might help but it was very hard to get a sharp result hand held. Even in good light at f5.6. I did set the setting on the lens to infinity.
John –
Gerhard Lepp –
Als Hobby Marco Fotograf mein lieblings objektiv
Gerhard Lepp –
Zakalin –
Macro de gran calidad.
Zakalin –